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    События
    The appeal of the chief editor
    Friends and colleagues, customers and customers!<br> This is a pilot site of the Composer publishing house, which is in the process of being created. On it you can find books about music-both musicological and popular, buy and order notes of modern composers and classical composers of the Soviet years, as well as two magazines that are published by the "Composer" publishing house.
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    Книги
    The art of playing domra
    "The art of playing the domra" is addressed to teachers and students of music schools, colleges and universities, as well as professional performers. <br> <br> For more than 60 years of professional education on the domra was in its infancy. Few people thought about the need to develop a methodology. Everyone wanted to prove that solo performance on domra had a right to exist. The few performers went their separate ways and paid little attention to the generalization of their performing experience. Now times have changed, and the teaching methodology requires a comprehensive, comprehensive, scientific-based approach, which is what this publication has undertaken.<br>
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    Книги
    Personalities of jazz
    Over the past more than 100 years since its birth, jazz from the red light district of New Orleans has entered the broad road of real great art, penetrating into remote corners of not only America, but also many countries of the world, mastering the minds and interests of people far from music, turning into a multi-faceted and multi-faceted direction of music. A huge contribution to the development of jazz and the creation of masterpieces of jazz music is made by brilliant musicians: composers, performers, orchestra leaders, vocalists, arrangers, i.e. professionals involved in the creation of a great art called jazz. And if at the beginning of the formation of jazz musicians in many cases and for various reasons, almost combined diverse roles and acted simultaneously as music writers and p...
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    Ноты
    Well-tempered clavier
    The proposed version of Bach's preludes and fugues is not a traditional performer's version that defines strokes, sound extraction methods, fingering, "intuitively" found phrasing, and the nature of the music, but is, conditionally, a theoretical and compositional interpretation of the intonation process, the sounding time-space (rhythmosoundness). The attention of the note reader is directed to the phase of the intonation process, which is determined by the repetition of the melodic-harmonic formula (generating model-turnover-matrix) in an unchanged or varied form. Separated from each other by the sign of caesura (V), the phases of the intonation process make it possible to understand and feel not only the musical unity of the separate piece, but also the organicity of the small...
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    Ноты
    Choirs without accompaniment
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